Alina Arshi presents “Entepfuhl”
Duration: 20 min.
“‘Any road,’ said Carlyle, ‘this simple road to Entepfuhl, will lead you to the end of the world.’ But the road to Entepfuhl, if followed right to the end, would lead straight back to Entepfuhl, which means that Entepfuhl, where we started, is that ‘end of the world’ which we set out to find in the beginning,” lays printed on page 77 of Fernando Pessoa’s The Book of Disquiet. This piece is heavily influenced by travels in India in the summer of 2022.
Alina Arshi was born in Lucknow, India. She currently works as a dancer and choreographer based in Lausanne, Switzerland. Entepfuhl was created in February 2023 as part of her Bachelor’s project at La Manufacture, Haute École des Arts de la Scène.
Anu Cato releases their debut EP “Sentient Cycles”.
Their sound is avant-garde, innovative and boundary-pushing. Incorporating the spirit of punk, experimenting with deconstructed club music, elements of trap and drum’n’bass and industrial analog sounds. A mix of cutting-edge electronic music.
Anu Cato’s music combines the variety of selected influences in an unique blend, resulting in a dynamic and eclectic sonic landscape, all marched in to a unique experimental Hyperpop. Like this, Anu Cato creates a ritualistic atmosphere with a futuristic twist.
While many DJs approach genre and scope adventurously, few are as expansive and unique as CCL. With an incisively technical and uncannily creative approach to mixing, and a ravenous appetite for music of all kinds, they unite the unimaginable.
As a DIY festival organizer and record collector, drawing from their experiences in Bristol, the DIY scene of Seattle and the American Midwest, CCL has a unique affinity for fluidity and liminality, weaving music together through distinct narratives that open wormholes between all genres and tempos.
Harmonizing and connecting disparate sound into bold and enticing ecosystems is constantly present in their DJ sets–blooming and molting through a plethora of infectious steppers, psychedelic techno, supple house, dusty 80s synths, glittering footwork, psychedelic post-punk guitars, bubbling drum and bass, twisted dub, and all that lies beyond and between.
Chienne De Garde presents “Mayencore”
Duration: 40 min.
Mayencore comes from a desire to anchor one’s afro-helvete experience with a strong cultural emblem. Passionate about traditional sounds of all kinds, Swiss folk music was an obvious choice for me. Still in its genesis, it is a reactivation at the whim of collaboration, making its understanding multiple. A fluid voyage of sound that doesn’t try to anchor itself in a single style, but can be rooted as much in folklore as in contemporary productions.
Vanessa Sin is a multidisciplinary performer and self-taught producer based in Lausanne. Under several acronyms, they explores different creative mediums. Under Chienne De Garde, they experiment with musical productions, writing, movement as well as installations. Using these multiple tools, they create hybrid, emotional and sincere paintings.
One of the founding members of B2B2B collective they are active in the makor and kiki scene of Swiss ballroom Music co-programmer at the FDS (Festival of genders, sexualities and affects), they are as well co-curator of the BlackBox Lausanne (Antiracist decolonial festival).
Christian Coiffure is an enigmatic artist who is gradually making his mark on the European electronic music scene, with notable releases on the adventurous Comic Sans Records and Worst Records labels.
A resident of LYL Radio and Positive Education, Christian Coiffure has an insatiable appetite for sonic exploration, experimenting and blurring the boundaries between genres. He also devotes himself fervently to improving his art, both as a DJ, where he delivers immersive performances seeking to create connection and euphoria, and as a producer, where his ingenuity and eye for detail resonate with his listeners.
In a scene where trends come and go, Christian Coiffure claims to be unlabelled and authentic, and is determined to shape the soundscape of tomorrow by playing with the codes of the aesthetics he holds dear.
djadjamai is taking you on a journey through various afro-centric sounds and genres combined with influences of brazilian funk.
no bubi go jasi but she will warm your soul with nostalgic voices that blasted through our parents’ car from serekunda to the diaspora, mixed with harsh sounds that make your legs work.
Emma Souharce is a sound artist, designer and artistic director of the association Copypasta Editions. She develops research related to the effect of frequencies on perception, between psychoacoustics, hypnosis and catharsis. She thus deploys a pop noise oscillating between powerful electric feedback and dense rhythmic made of homemade drum sounds.
She has been seen playing in Europe, the United States, Russia and Southeast Asia. Residences were offered to him at the Cité internationale des arts in Paris as well as at Nekatoenea in the Basque Country. She was nominated for the Russolo Prize in 2019 and obtained the Sound Arts Prize from the Liechti Foundation in 2020.
Ewa Dziarnowska presents “This resting, patience”
Duration: 180 min.
The piece “This resting, patience” is played on both Friday and Saturday at 18:00.
“This resting, patience” is simultaneously a ghostly archive of fallow sensuality, an installative kinetic fade-out and a somatic (strip) tease. Full of attraction, self-chosen objectification, closeness and the aesthetics of exposure. The performance, lasting over three hours, questions expectations of the passivity of installation and at the same time subverts the temporal and dramaturgical resolutions of performance.
Here, dance is not staged as an alienated spectacle, but rather as a form of sociability – timeless and democratic. With a radical dedication to the body, “This resting, patience” creates a future that remains eternally in limbo and constantly unfolds anew - completely tender, enchanting and attentive.
Accessibility information: “This resting, patience” takes place as a relaxed performance, is accessible without steps and provides alternative seating.
Credits
By: Ewa Dziarnowska
With: Leah Marojević
Sound Design: Krzysztof Bagiński
Lighting Design: Jacqueline Sobiszewski
Costume/Styling: Nico Navarro Rueda, Franziska Acksel
Dramaturgical Support: Jette Büchsenschütz
Artistic Exchange: Suvi Kemppainen
Photos: Spyros Rennt
Video Documentation: Margarita Maximova
Thanks to: Maciej Sado
FUMU makes post-industrial dance music forged in the image of his home city Manchester and a heritage set in Teesside’s Bladerunner backdrops and rugged coastline. Inspired by years raving in Manchester’s scuzzy underbelly, FUMU’s music has come to fulminate critical blends of buckled rhythm & harsh noise burred with distinctive character.
Prevailing UK and outernational club rhythms are galvanised and tempered to seething and guttural effect, panel-beating styles into gristly steppers and bassbin wreckage that has lent his live sets in the UK – as well as Hamburg, Jordan, and Uganda – a fearsome reputation.
While FUMU’s music instrumentally grapples with the grimness of northern english post-industrial legacies, it also bleeds with the bittersweet romance and vitality that distinguished his spiritual and aesthetic forebears such as Muslimgauze, Bourbonese Qualk or Mika Vainio, and matches the lust for contemporary club thrills found in new mutations from Nyege nyege to Drowned by locals.
GAEL, the dynamic DJ/producer from Dagestan, has redefined electronic music, journeying from Kyiv and Odesa to Berlin. Their performances blend remarkable energy, style, and attitude through the margins of techno and experimental electronic music, captivating audiences at venues like Berghain, K41 and festivals such as CTM.
GAEL's innovative releases on labels like BITE Records and Standard Deviation push the boundaries of electronic music. Beyond the club scene, their diverse projects, including scoring documentaries and crafting soundscapes for art videos, showcase their commitment to inclusivity.
Besides being a delicious representation of the Trans latinx community, HAUSVRAU is also a very needed breath of fresh air to the white conception of electronic music and performance art. Having started through FAGDOM (Zürich, 2019-now), they grew working in clubs across Switzerland and abroad. Also a resident DJ at Kapitel Bollwerk (Bern), HAUSVRAU mixes lots of references such as Brazilian funk, house, ballroom beats, latin techno and all sorts of tracks that include pop references.
Making the dance floor a space of joy and community, at her most played venues or festivals, one thing is for sure: she will make the people sweat with the high energy of her sets. She is the fairy you didn’t know you needed, thee artsy fartsy DJ Diva Popstar!
Carla Peca, Sophie Luna, Rachelle Barras and Wassili Widmer present “Hypnagogia Hyperspace”
Friday and Saturday from 23:00 to 04:00
Hypnagogia is the term used to describe the psychological state of transition from wakefulness to sleep. In this state, humans can experience hallucinations such as seeing geometrical patterns, imagining sounds, or experiencing seemingly irrational changes in what appears to be reality at that moment. Interestingly, humans reach the state of hypnagogia during very deep relaxation, such as in meditation or massage.
At the Hypnagogia Hyperspace, four different forms of performative interventions will take place. These will occur on different sensory levels such as hearing, touch, and taste. On Friday and Saturday night, the space will be activated by different combinations of activities, allowing the performers to develop a shared language between themselves.
Visitors will be lulled into a dreamy, performative experience that is mostly comfortable but may also contain some slightly disruptive elements, as can occur in the state of hypnagogia.
Isi! is all about emotional high-energy bass-driven dancefloor-activation. Be it as organiser (RHIZOM festival, Summer Camp, Clubbüro) or as selector, Isi! aims to trigger each individual’s potential for collective engagement.
Her sets have been known to work the crowd until they sweat and shout, making love to the dancefloor.
An insatiable passion and drive helped the mexican-italian DJ establish herself in no time. Her expressive and diverse sets have permeated parties all over Europe. Jamira’s emotional take on obscure music pulls an audience into a continuous daze, bringing together crashing broken beats, acidic sparks and techno.
Enrolled in her classical music theory and electroacoustic composition studies, she began doing live-performances and working with recordings and is mesmerized by the possibilities of storytelling through sound. Resolving her work around inclusive spaces brought her to work on a wide spectrum of projects, such as giving DJ-workshops, creating a diverse skill-oriented plattform for femme, intersex and non-binary individuals through different collectives and collaboratively creating audio-visual performances.
Besides, curating her own events at the off-space Cuadro22 in Chur from a very early age on, her selection for the dance floor still embodies vividly the search for an invigorating collective stasis.
Johanna Kotlaris presents “Humere”
Duration: 35 min.
“Humere” is a musical performance based on Johanna’s latest film work that premieres in October 2024 in the context of her Manor Cultural Prize exhibition at Museo d’Arte della Svizzera italiana in Lugano. “Humere” is the name of a drowned and resurrected zombie woman who builds a variety of relationships ruled by forms of soft and hard power, violence and/or affection.
She portrays a state of debilitation and poses the question of what a better future might look like, whether her return to the world of the living is worth it, and what responsibility we as individuals have to take or where it is the responsibility of the systems that rule our society, to create spaces of healing and new beginnings.
Johanna Kotlaris is an artist based in Zurich and Berlin. Through performance, video, installation, sculpture and writing, her work examines the complexity of interpersonal relationship dynamics, the various energies that result from these interactions and the ways in which we are responsible for ourselves and others in care and conflict practices.
She often plays fictional characters and reacts to site specific contexts to create narratives that portray these delicate balances.
kareki is a Zurich-based record hoarder, sonic adventurer and vinyl DJ. A peak into his collection reveals love towards deep, trippy or broken techno, a passion for experimental drum’n’bass as well as bass music, and indicates to be deeply rooted in the early dubstep days.
The local underground club scene had him crawl out of his wormhole on some occasions by now, sharing his musical vision and polishing his skills to further create diverse mind expanding experiences.
María Sabato & Linus Finn present “Dear swipe”
Duration: 20 min.
After two years of research in the “Synapse Salad Cyberspace”, María Sabato and Linus Finn return to share their insights on how to reconnect the severed synapses between them. Their first performative collaboration delves into experiences from this data network — a place where sensitivity for oneself and others vanished, where endless swipes dulled empathy, and the screen’s glow threatened to blind.
Before the darkness set in, they began a recovery process, explored through choreography that shifts between synchrony and asynchrony, echoing the fractured rhythms of social media. Beyond competition and the need to be “liked”, they search for what remains when all the lights go out.
Natasza Gerlach presents “What goes unfelt”
Duration: 30 min.
In a series of intertwined poems shaped by unforeseen encounters and apparitions, “What goes unfelt” unveils a spectral body of feelings. In response to an all-encompassing anesthesia, the performance seeks to reanimate sensitive patterns. An intricate web of connections crumbles and endlessly rebuilds itself, oscillating between intimacy and distance, familiarity and strangeness. An insurgent feeling grows within shivering bodies.
With: Elie Autin, Pierre Piton, Jacqueline Sobiszewski, Sandar Tun Tun
Natasza Gerlach is a Polish director and choreographer based in Switzerland. Her artistic practice lies at the intersection of extended choreographic practices and performance. Natasza refers to her projects as laboratories of empathy, aiming to reorganize semiotic models of encounter and develop embodied systems of connection. She is committed to exploring new forms of creative intimacy, reanimating empathy as a universal language of reciprocity and care.
"},{"id":"owelle","title":"Owelle","year":"2024","work_title":"","formats":[{"id":"live-act","title":"Live act"}],"description":"Emerging from Geneva’s club scene, Owelle takes bright colors and eclectic accents to shape her own acidic-yet-quite-sweet cocktail of electronic music. Her compositions are imagined and built without boundaries in constant experimentation by combining electronica, psyche rock inspirations, filed recordings, clubs beats and vocals.
Owelle is equally passionate about interactive tools that she subtly incorporates into her musical works such as programming, sound spatialization and installations.
Skilled behind the decks as well as in her live shows, Owelle blends styles and moods by using techno, IDM, breakbeat and many other ingredients, offering an addictive taste in her seasoned rhythms and melodies. Her smashing mixes caught the attention of Elena Colombi, who invited her to her show on NTS Radio.
Oze creates enchanting atmospheres where the warmth of a dreamy voice harmoniously blends with airy sounds. Through their performance, Oze offers an immersive musical experience, a peaceful journey into the heart of a fascinating universe.
"},{"id":"rhyw","title":"Rhyw","year":"2024","work_title":"","formats":[{"id":"live-act","title":"Live act"}],"description":"Like liquid mercury in a petri dish—slick, supple, and playfully disobedient—Rhyw’s music dazzles as it defies expectation. The Welsh-Greek artist cut his teeth as one half of Cassegrain and has been finding new paths for his mutant sound ever since, releasing on Fever AM, the imprint he set up with Mor Elian in 2017, as well as labels like Avian and Modeselektor’s SSPB.
In the studio or behind the decks, he brilliantly fuses different strains of ultra-modern techno and broken beat: eyes-down minimal lights up with modular sass, choppy kicks flirt with rolling grooves, and sharp sound design slices through earthy subs.
It’s the kind of amphibious sound that can slip into otherworldly spaces while never truly leaving the dance floor.
Rrose is the latest incarnation of Seth Horvitz, an inter-disciplinary artist from California (currently residing in London) whose 25+ year musical history weaves in and out of academic circles and electronic music culture. Their work is informed by ongoing interests in microtonality, the limits of perception, and the idiosyncrasies of machines, which serve to create a distinctly detailed, sensual and hallucinogenic form of techno that challenges the mind and body in equal measure.
The project extends into specific pockets of the avant-garde, leading to collaborations with luminaries such as Bob Ostertag and Charlemagne Palestine and reinventions of works by 20th century composers such as James Tenney. On stage, Rrose often stands in the shadows, going by he and she interchangeably (Rrose’s name and image allude to Marcel Duchamp’s female alter-ego) – an implied interrogation of gender norms and artistry, albeit with a hint of black humour.
Her performances have taken place for seated audiences in historic theaters and museums as well as for sweaty dancefloors in some of the most revered nightclubs and electronic music festivals in the world, including Berghain, Unsound, Labyrinth, Movement, and Mutek. The influence of Rrose’s music on the development of contemporary techno is clear and present, and stands poised to continue well into the future.
Hypnotic music from the past and future, ear-seizure in the best of its means. Ecstatic moments get flooded with a heavy fever dream.
"},{"id":"simon-grab","title":"Simon Grab","year":"2024","work_title":"FRACTURA","formats":[{"id":"performance","title":"Performance"}],"description":"Simon Grab presents “Fractura”
Duration: 45 min.
“Fractura” is a scenic and immersive audiovisual exploration that establishes symbiotic relationships between music, dance, visual space, and light, considered as organisms arising from the sound space created by Simon Grab.
The piece is inspired by the destruction of ecosystems caused by the extractivist capitalist system, specifically focusing on the oil extraction process called Fracking. This method, illegal in many countries worldwide, is currently in use in Argentina, particularly in the Vaca Muerta formation located in the province of Neuquén. It has direct effects on biota and the population, causing precarious living conditions immersed in these new anthropogenic landscapes.
“Fractura” aims to explore new ways of understanding the relationships between the organic and the inorganic, creating a mutant body that demands new modes of perceiving, feeling, interacting, desiring, and loving to adapt to these changing times. The piece presents itself as something aggressive, seductive and monstrous simultaneously.
Music and Production: Simon Grab (CH)
Stage and Audiovisual Direction: Paula Monesterolo (ARG)
Choreographer and Performer: Miranda Codesal (ARG)
Visuals: Jonathan Jäggi (CH) & Paula Monesterolo (ARG)
Costume Creator: Sirena Lizárraga (ARG)
Visuals support: Efe Ce Ele (ESP)
Choreography advice: Rafal Pierzynski (CH)
Weird music for mushy minds: tesdorpf has been ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ for a while now. He’s co-piloting swim, a cassette label turned party turned lysergic gathering, bound to warm hearts and open minds.
At times, he's found behind a DJ booth, zoning way in on the heady sides of trance from all over the spectrum.
With analog synthesizers wrapped in an excess of unnecessary cables, saturated rhythms, and erratic notes thrown into a multitude of delays, Torchon & GANJ delve into deep, repetitive textures, evoking demons lurking within transistors — if everything goes as planned. For the first time, the Lausanne-based duo will be joined by PussyR, an associated artist from L’Abri, whose lyrics cleanse and voice soothes.
"},{"id":"xafya-lovecraft","title":"Xafya Lovecraft","year":"2024","work_title":"","formats":[{"id":"live-act","title":"Live act"}],"description":"Xafya (she/her) lives and works in Zurich as a multidisciplinary artist whose practice focuses mainly on musical composition, film and sculpture.
Her sound aesthetic ranges between Ambient, Deconstructed Club and Epic Collage, which has a video game-like, world-building effect and strives for a reinterpretation of previous musical movements. She creates narratives of transformation, faith and modes of radical participation between terrestrial and the outside.
Xenia Koghilaki presents “KOPANIMA”
Duration: 50 min.
The crowd at a concert represents a place of communal struggle and ritualised togetherness. At the same time, it can be a place for moshing, a dance style in which concertgoers’ bodies bang and bump against each other, immersing themselves in an ambivalent feeling of togetherness and sensory stimulation. The performance “KOPANIMA” takes up the movement practice of moshing and transforms it into an echo of the moshpit. The movements of the four dancers focus on the dynamics and energies between bodies moving together in the crowd. A space is created that raises questions about physicality, vulnerability and resistance – and at the same time enables gestures of trust and solidarity.
“KOPANIMA” is the third part of an ongoing performance series, following “Bang Bang Bodies”, which premiered as part of Tanztage Berlin 2023, and “Slamming” (produced by Onassis Stegi), in which artist Xenia Koghilaki explores the relationship between the subcultural practices of moshing and collective letting go through dance and choreography.
Accessibility info: The performance contains abrupt lighting changes and stroboscopic effects. There is loud music that sometimes comes as a surprise.
Credits
Concept, Choreography: Xenia Koghilaki
Performance: Noumissa Sidibé, Irini Georgiou, Julia Plawgo, Xenia Koghilaki
Live Music and composition: Ernesto Cárcamo Cavazos
Lighting Design: Vito Walter
Choreographic Assistance and Dramaturgical Support: André Uerba
Costume Design: antistatic_studio
Outside Eye: Nondas Damopoulos
Production: Marina Agathangelidou
Production Coordination: Olga Tsatsouli / howtomakeyourlifeharder
Tarik Zürcher
"},{"id":"agonis","title":"Agonis","year":"2022","work_title":"","formats":[{"id":"live-act","title":"Live act"}],"description":""},{"id":"ashwini","title":"Ashwini","year":"2022","work_title":"","formats":[{"id":"dj-set","title":"DJ set"}],"description":""},{"id":"candid-rutter","title":"Candid Rütter","year":"2022","work_title":"escapism","formats":[{"id":"installation","title":"Installation"}],"description":""},{"id":"caner-teker","title":"caner teker","year":"2022","work_title":"trans—","formats":[{"id":"performance","title":"Performance"}],"description":""},{"id":"casanora","title":"Casanora","year":"2022","work_title":"","formats":[{"id":"live-act","title":"Live act"}],"description":""},{"id":"catol-teiexeira","title":"Catol Teiexeira","year":"2022","work_title":"La peau entre les doigts","formats":[{"id":"performance","title":"Performance"}],"description":""},{"id":"chewlie","title":"Chewlie","year":"2022","work_title":"","formats":[{"id":"live-act","title":"Live act"}],"description":""},{"id":"claire-megumi-masset","title":"Claire Megumi Masset","year":"2022","work_title":"it's transparent but not invisible","formats":[{"id":"performance","title":"Performance"}],"description":""},{"id":"delay-grounds","title":"Delay Grounds","year":"2022","work_title":"","formats":[{"id":"live-act","title":"Live act"}],"description":""},{"id":"eva-zornio","title":"Eva Zornio","year":"2022","work_title":"affective evaluation","formats":[{"id":"performance","title":"Performance"}],"description":""},{"id":"frktl","title":"FRKTL","year":"2022","work_title":"Azimuth","formats":[{"id":"video-art","title":"Video art"}],"description":"Sarah Badr
"},{"id":"georg-bleikolm","title":"Georg Bleikolm","year":"2022","work_title":"KONTINUUM – THE ORIGIN OF LIVE","formats":[{"id":"performance","title":"Performance"}],"description":""},{"id":"george-profond","title":"George Profond","year":"2022","work_title":"","formats":[{"id":"live-act","title":"Live act"}],"description":""},{"id":"goffbaby","title":"Goffbaby","year":"2022","work_title":"","formats":[{"id":"dj-set","title":"DJ set"}],"description":""},{"id":"highf-aif","title":"Highf.aif","year":"2022","work_title":"","formats":[{"id":"dj-set","title":"DJ set"}],"description":""},{"id":"hormonschub","title":"HORMONSCHUB","year":"2022","work_title":"","formats":[{"id":"live-act","title":"Live act"}],"description":"Lua Jungck, Paul Grimshaw
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"},{"id":"mafou","title":"Mafou","year":"2022","work_title":"","formats":[{"id":"dj-set","title":"DJ set"}],"description":""},{"id":"most-dismal-swamp","title":"Most Dismal Swamp","year":"2022","work_title":"MUSH","formats":[{"id":"video-art","title":"Video art"}],"description":""},{"id":"na-ah","title":"Na-ah","year":"2022","work_title":"","formats":[{"id":"dj-set","title":"DJ set"}],"description":""},{"id":"ojoo-gyal","title":"OJOO GYAL","year":"2022","work_title":"","formats":[{"id":"dj-set","title":"DJ set"}],"description":""},{"id":"ploy","title":"Ploy","year":"2022","work_title":"","formats":[{"id":"dj-set","title":"DJ set"}],"description":""},{"id":"possilla-firefox","title":"Possilla Firefox","year":"2022","work_title":"","formats":[{"id":"dj-set","title":"DJ set"}],"description":""},{"id":"raw-shan-2","title":"Raw Shan","year":"2022","work_title":"","formats":[{"id":"dj-set","title":"DJ set"}],"description":""},{"id":"rebecca-solari","title":"Rebecca 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